 
A Mahalakshmi temple called 'Sripuram' and made of more than a tonne of pure gold will glitter and gleam under the sun on August 24 when it is unveiled for consecration by the Sri Narayani Peetam headed by a 31-year-old godman who calls himself Narayani Amma. Devotees hail the temple as 'one of the wonders of the world' and say that it is the only temple covered fully with gold.
More than 400 gold and coppersmiths from the Thirupath Thirumala Devasthanam are said to have worked for six years to craft the Rs 600-crore gold temple located on 55,000 sq ft of land on a 100-acre salubrious stretch in Malaikodi, about 6 km from Vellore in north Tamil Nadu. According to official sources, the gold bars were purchased through RBI in "a transparent manner."
First the coppersmiths set to work creating a copper base on the temple structure with engravings and etchings before the gold, beaten into nine layers of foils, was draped around it. The sanctum sanctorum will hold the deity of Mahalakshmi made of stone granite, but covered with gold kavacham (adornments).
"The Sripuram or Spiritual Park is Amma's dedication to the world and mankind," said P Murali, a trustee of the Peetam, adding that the temple has more gold than the Golden Temple of Amritsar.
Messages by 'Amma' have been laid out along the path to the temple with messages from the Gita, Bible and Quran. "When one enters the Sripuram, their focus is just on the magnificent temple. But when they leave, they cannot do so without taking some messages and gaining some wisdom," according to a booklet detailing the 'services' rendered by the Peetam. "In this quagmire of materialism, Sripuram rises as an inspiration to man to find the divinity within him," adds a brochure.
Murali said arrangements were being made to hire personnel to throw a security cover around the temple. "But the gold sheets have been laid out in such a manner that it would cost more to rip it off than purchase the gold," said a top Vellore district official.
http://www.youtube.com/watch?v=72rBHeuofhc
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For More Details Visit : http://www.sripuram.org
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Saturday 5 January 2013
A Mahalakshmi temple called 'Sripuram' and made of more than a tonne of pure gold will glitter and gleam under the sun on August 24 when it is unveiled for consecration by the Sri Narayani Peetam headed by a 31-year-old godman who calls himself Narayani Amma. Devotees hail the temple as 'one of the wonders of the world' and say that it is the only temple covered fully with gold.
More than 400 gold and coppersmiths from the Thirupath Thirumala Devasthanam are said to have worked for six years to craft the Rs 600-crore gold temple located on 55,000 sq ft of land on a 100-acre salubrious stretch in Malaikodi, about 6 km from Vellore in north Tamil Nadu. According to official sources, the gold bars were purchased through RBI in "a transparent manner."
First the coppersmiths set to work creating a copper base on the temple structure with engravings and etchings before the gold, beaten into nine layers of foils, was draped around it. The sanctum sanctorum will hold the deity of Mahalakshmi made of stone granite, but covered with gold kavacham (adornments).
"The Sripuram or Spiritual Park is Amma's dedication to the world and mankind," said P Murali, a trustee of the Peetam, adding that the temple has more gold than the Golden Temple of Amritsar.
Messages by 'Amma' have been laid out along the path to the temple with messages from the Gita, Bible and Quran. "When one enters the Sripuram, their focus is just on the magnificent temple. But when they leave, they cannot do so without taking some messages and gaining some wisdom," according to a booklet detailing the 'services' rendered by the Peetam. "In this quagmire of materialism, Sripuram rises as an inspiration to man to find the divinity within him," adds a brochure.
Murali said arrangements were being made to hire personnel to throw a security cover around the temple. "But the gold sheets have been laid out in such a manner that it would cost more to rip it off than purchase the gold," said a top Vellore district official.
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For More Details Visit : http://www.sripuram.org
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surya dev mandir (sun temple)
Introduction: The Vedic scriptures of the Hindu religion refer to the sun as the store house of inexhaustible power and radiance. Ths sun god is referred to as Surya or Aditya. The Vedas are full of hymns describing the celestial body as the source and sustainer of all life on earth. The origin of the worship of the Sun in India is thus several centuries old.
References to sun worship are found in the puranas. The Ramayana speaks of Sage Agastya initiating Rama into sun worship through the Aditya Hridaya Mantra. The astronomer and astrologer Varahamirhira makes references to the intricacies of ceremonies connected with the installation of the icon of the Sun. It is also said that Iran was once a center of Solar worship and that some of the Magha priests of Iran had been brought to India to officiate in ceremonies.
There are several temples enshrining the Sun God as the principal deity. Several temples dedicated to Shiva, feature a small shrine for Surya the Sun God. In addition, it is believed that Surya, the Sun God has offered worship at several of the shrines in Tamilnadu; many of these shrines have been designed in such a way that the sun's rays illuminate the sanctum (of Shiva) on certain days of the year. Several of the South Indian Temple Tanks also bear the name Surya Theertham or Surya Pushkarini.
This article takes readers on a journey through seven temples dedicated primarily to Surya, Dakshinaarka Temple in the Gangetic Plains, Suryanaar Koyil in South India, Arasavilli and Konark on the East Coast of India, Modhera in Gujarat (Western India), Surya Pahar in North Eastern India and Unao in Central India. It should be mentioned here that remains of an ancient Sun temple are found at Martanda near Srinagar in Kashmir. It is said to date back to the first century AD. Ruins of a sun temple which attracted thousands of visitors in the 7th century AD are found in Multan in Pakistan.
As with all other temples in India, legends and beliefs are associated with each of the above temples. It is interesting to note that one of the beliefs shared by worshippers at these temples situated so far apart - is that visits to these temples followed by a dip in the sacred tanks associated with them would bring relief to believers ailing from blindness, leprosy and other skin diseases.
The Dakshinaarka temple at Gaya, Bihar
There is an ancient Sun temple at Gaya in the state of Bihar. Offerings to the ancestors are made at the Surya Kunda or the Dakshina Maanas tank in front of the temple. Sun worship apparently was very popular in the Magadha region which included Gaya. Numerous old images of the Sun God Aditya are found in the Gaya region and there are still quite a number of sun worshippers in Gaya. It is said that they may have descended from the fire worshippers of Central Asia. In fact, the granite image of Aditya (this particular image here is also referred to as Dakshinaarka) or the Sun God worshipped here is portrayed as wearing a jacket, a waist girdle and high boots in the Iranian tradition. Hundreds of people visit this temple on Sundays.
There is an ancient Sun temple at Gaya in the state of Bihar. Offerings to the ancestors are made at the Surya Kunda or the Dakshina Maanas tank in front of the temple. Sun worship apparently was very popular in the Magadha region which included Gaya. Numerous old images of the Sun God Aditya are found in the Gaya region and there are still quite a number of sun worshippers in Gaya. It is said that they may have descended from the fire worshippers of Central Asia. In fact, the granite image of Aditya (this particular image here is also referred to as Dakshinaarka) or the Sun God worshipped here is portrayed as wearing a jacket, a waist girdle and high boots in the Iranian tradition. Hundreds of people visit this temple on Sundays.
Sun worship in the Magadha region that encompassed Gaya has been mentioned in the Puranas and thus this temple is said to be of very ancient origin. The current structure dates back to the 13th century, where the South Indian emperor Prataparudra of Warangal in Andhra Pradesh is said to have built it.
The Sun Temple at Gaya faces east and is located close to the famous Vishnupaada temple where a footprint of Vishnu is said to be enshrined. To the east of the temple is the tank Surya Kunda. The temple is a simple and plain one, with a dome over it. The comparatively larger sabha mandapa stands in front of the sanctum. Massive pillars line the mandapa where there are graceful stone sculptures of Shiva, Bhramaa, Vishnu, Surya and Durga.
There are two other notable Sun temples at Gaya, namely the Uttaraka temple near the Uttara Maanas tank and the Gayaditya temple on the river Falgu.
The Bhramanya Dev Temple at Unao in Madhya Pradesh
The Brahmanya Dev (Baramju) temple dedicated to the Sun is located at Unao near Jhansi in Madhya Pradesh. It is a well visited temple. Local belief is that worshippers find relief from ailments such as blindness and leprosy and other skin diseases. The stone image of the Sun God stands here on a brick platform covered with black plates. Twenty one triangles representing the 21 phases of the sun are engraved in the shrine.There is a protective brass cover for the image. Sunday is the special day of worship. This temple was patronized by the Peshwas and by the ruler of Datia, a nearby town.
The Brahmanya Dev (Baramju) temple dedicated to the Sun is located at Unao near Jhansi in Madhya Pradesh. It is a well visited temple. Local belief is that worshippers find relief from ailments such as blindness and leprosy and other skin diseases. The stone image of the Sun God stands here on a brick platform covered with black plates. Twenty one triangles representing the 21 phases of the sun are engraved in the shrine.There is a protective brass cover for the image. Sunday is the special day of worship. This temple was patronized by the Peshwas and by the ruler of Datia, a nearby town.
Sun Temple at Surya Pahar in Assam
This relatively modern Sun temple in the vicinity of the Surya Pahar Hill near Goalpara in Assam. This temple enshrines a circular stone tablet having 12 images of Aditya in a circle with an image of Kashyapa the father of Aditya in the center. Surya is said to be the son of Aditi and Kashyapa (Prajapati or the creator of beings). Each of the Adityas os one faced and two armed. According to the Puranas the Adityas are 12 in number. The text Kalika Purana mentions Surya mountain, the perpetual abode of the sun. Sun worship was present in early Assam. Surya Pahad is referred to as a virtual gallery of archeological remains. At the foot of the hill, covering a vast area there are found a good number of Siva lingams cut out of stone.In addition, Surya Pahar ruins contain many rock cut figures of artistic merit.
This relatively modern Sun temple in the vicinity of the Surya Pahar Hill near Goalpara in Assam. This temple enshrines a circular stone tablet having 12 images of Aditya in a circle with an image of Kashyapa the father of Aditya in the center. Surya is said to be the son of Aditi and Kashyapa (Prajapati or the creator of beings). Each of the Adityas os one faced and two armed. According to the Puranas the Adityas are 12 in number. The text Kalika Purana mentions Surya mountain, the perpetual abode of the sun. Sun worship was present in early Assam. Surya Pahad is referred to as a virtual gallery of archeological remains. At the foot of the hill, covering a vast area there are found a good number of Siva lingams cut out of stone.In addition, Surya Pahar ruins contain many rock cut figures of artistic merit.
Suryanaar Temple near Kumbhakonam in Tamilnadu
This ancient temple dedicated to the Sun is located near Kumbhakonam in Tamilnadu. Kumbhakonam and its surroundings abound in huge temples. This well known temple enshrines the Sun - Surya, Kasi Viswanatha and Visalakshi, and the other eight celestial bodies namely Chandran, Angarakan, Budhan, Brihaspati, Sukran, Saniswaran, Rahu and Ketu. An elaborate worship protocol is prescribed for pilgrims visiting here, starting with worship at the shrine of Ganesha, culminating in circumambulating the temple nine times. This temple built in the Dravidian style is over eight hundred years old and was patronized by the Imperial Chola Kings. This temple is located in close proximity to Kanjanur, and Tirumangalakkudi housing 1200 year old temples to Shiva. Suryanaar Koyil has acquired a lot of popularity in recent times, and is one of the pivotal points in the Navagaraha Stala Tour organized by the Tamilnadu Tourist Development Corporation.
This ancient temple dedicated to the Sun is located near Kumbhakonam in Tamilnadu. Kumbhakonam and its surroundings abound in huge temples. This well known temple enshrines the Sun - Surya, Kasi Viswanatha and Visalakshi, and the other eight celestial bodies namely Chandran, Angarakan, Budhan, Brihaspati, Sukran, Saniswaran, Rahu and Ketu. An elaborate worship protocol is prescribed for pilgrims visiting here, starting with worship at the shrine of Ganesha, culminating in circumambulating the temple nine times. This temple built in the Dravidian style is over eight hundred years old and was patronized by the Imperial Chola Kings. This temple is located in close proximity to Kanjanur, and Tirumangalakkudi housing 1200 year old temples to Shiva. Suryanaar Koyil has acquired a lot of popularity in recent times, and is one of the pivotal points in the Navagaraha Stala Tour organized by the Tamilnadu Tourist Development Corporation.
Suryanarayanaswamy temple at Arasavilli in Andhra Pradesh
This is a shrine of the Sun in a well preserved state. The temple dates back to the 7th century and a Kalinga king is said to have constructed it. The image of worship is a 5 ft tall one of black granite holding lotus buds - flanked by Usha and Chhaya. Padmapani is the name of this Sun God - padma stands for wisdom usha and chhaya stand for eternity. This shrine is located near Srikakulam in Andhra Pradesh.
This is a shrine of the Sun in a well preserved state. The temple dates back to the 7th century and a Kalinga king is said to have constructed it. The image of worship is a 5 ft tall one of black granite holding lotus buds - flanked by Usha and Chhaya. Padmapani is the name of this Sun God - padma stands for wisdom usha and chhaya stand for eternity. This shrine is located near Srikakulam in Andhra Pradesh.
The Sun Temple at Modhera - Gujarat
This is a grand temple to the Sun God concieved and built in 1026. As in the Sun Temple at Konark, this temple was so designed that the rays of the Sun would fall on the image of Surya at the time of the equnoxes. Whatever remains of this temple is grand; the shikharas are notaby absent but the Toranas in the frontal halls, and the intricate carvings in the exterior speak of the splendour of this shrine, which still is home to the Modhera dance festival featuring dance celebrities in performance in a natural setting. Ruins of the sun temple at Modhera in Gujarat show a lot of Magha influence. The walls of the temple have representations of the sun god wearing a peculiar West Asian belt and boots as in the Sun temple at Gaya. Mention must also be made of the huge tank in front of the temple with its multitude of images.
The Sun Temple at Konarak, Orissa
The grandest and best known of all Sun temples in India is the Konark temple in Orissa. This
dates back to the 13th century and it represent the highest point in Orissan temple architecture. Konark is situated 20 miles to the north east of Puri. The word Konark means corner sun.
This is a grand temple to the Sun God concieved and built in 1026. As in the Sun Temple at Konark, this temple was so designed that the rays of the Sun would fall on the image of Surya at the time of the equnoxes. Whatever remains of this temple is grand; the shikharas are notaby absent but the Toranas in the frontal halls, and the intricate carvings in the exterior speak of the splendour of this shrine, which still is home to the Modhera dance festival featuring dance celebrities in performance in a natural setting. Ruins of the sun temple at Modhera in Gujarat show a lot of Magha influence. The walls of the temple have representations of the sun god wearing a peculiar West Asian belt and boots as in the Sun temple at Gaya. Mention must also be made of the huge tank in front of the temple with its multitude of images.
The Sun Temple at Konarak, Orissa
The grandest and best known of all Sun temples in India is the Konark temple in Orissa. This
dates back to the 13th century and it represent the highest point in Orissan temple architecture. Konark is situated 20 miles to the north east of Puri. The word Konark means corner sun.
The black pagoda at Konarak is a grand and magnificient temple in the form of the suns charriot drawn by seven horses marking the 7 days of the week. The 24 huge wheels, magnificiently carved and decorated, mark the hours of the day. This temple was envisioned by the Ganga ruler Narasimha Deva and it was not fully completed. The main idol of the Sun God on which the suns rays fall in the morning is said to have been removed by some Portuguese navigators. The temple now comprises only of the sabhamandap and the natamandir. The main temple crumbled down many years ago.
Tuesday 25 October 2011
kurukshetra
The name Kurukshetra is associated in the Puranas and the Great Epic with the legendary king Kuru although it appears to be more logical to trace it to the tribe of Kurus which was born as a result of merger of the various classes of the Great Bharatas who are described in the Rigveda as kindling sacrificial fires on the banks of the sacred Sarasvati and Drishadvati. The Sarasvati is described in the Rigveda as a perennial river par excellence, flowing from the Himalayas to the ocean most probably it refers to the Ghaggar. The Drishadvati was the river in whose bed the Hansi-Hisar branch of the Western Yamuna Canal now flows. The Kurus also were known to the Rigveda as the mention of a King named Kurushravana indicates.
Many geographical names and personalities connected with Kurukshetra occur in the earliest Sanskrit literature and around this region were enacted the opening scenes of the drama of Indian history. Most of the Vedic literature was composed here and most of the social, religious and political traditions of this country arose in this region. It is therefore regarded as the cradle of Indian civilisation and culture. Kurukshetra shot into prominence as the battle field of Mahabharta and as the birth place of the holy Gita. The great 18-day battle of Mahabharta was fought here in the ancient past between Kauravas and Pandavas for upholding the cause of dharma. It was a war between good and evil, in which the Pandavas were victorious. Bhagvad Gita, the Song Celestial, is the divine message which lord Krishna delivered to Arjuna on the eve of the Great War when he saw the latter wavering from his duty. It epitomises all that is the best and noblest in the Hindu philosophy of life.
Jyotisar, near Thanesar, is supposed to mark the site where it was delivered.
Kurukshetra is mentioned a great deal in ancient literature. A flourishing country of the Kurus, it was the most sacred region of the Dvapara age according to the Matsya Purana and one of the sixteen Mahajanapadas of Jambudvipa. It was the region of lakes and lotus beds which can be seen even now. Manu indirectly praises the prowess of the people of Kurukshetra. Bana describes it as the land of the brave in the eyes of the warriors. The place was visited by Buddha and appears to have been favoured by his masterly discourses. Kurukshetra also finds mention in Panini's Ashtadhyayi. It was also visited by nine out of the ten Sikh Gurus, Guru Angad Dev the Second Guru, being the only exception. The place where Guru Nanak stayed during his sojourn at Kurukshetra is well known as Gurdwara Sidhbati on a mound near the pumping station across the Kurukshetra Tank. The gurdwara dedicated to Guru Hargobind, the sixth guru, stands near Sannihit tank. Another gurdwara near the Sthaneshwar tank marks the spot sanctified by the visit of the ninth Guru Tegh Bahadur. And on the main bank of the Kurukshetra tank, stands the Gurdwara Rajghat built in the memory of the visit of the tenth Guru Gobind Singh; who also visited Jyotisar.
This region saw the rise and fall of many an empire through centuries. Sons of the soil fought invaders in the battlefield of this sacred land from time to time and their exploits fill the pages of history. The period of King Harsha was a golden age.
Ashoka
Ashok Maurya or Ashoka (Devanāgarī: अशोक, IAST: Aśoka, IPA: [aˈɕoːkə], ca. 304–232 BC), popularly known as Ashoka the Great, was anIndian emperor of the Maurya Dynasty who ruled almost all of the Indian subcontinent from ca. 269 BC to 232 BC.[1] One of India's greatest emperors, Ashoka reigned over most of present-day India after a number of military conquests. His empire stretched from present-dayPakistan and Afghanistan in the west, to the present-day Bangladesh and the Indian state of Assam in the east, and as far south as northernKerala and Andhra Pradesh. He conquered the kingdom named Kalinga, which no one in his dynasty had conquered starting fromChandragupta Maurya. His reign was headquartered in Magadha (present-day Bihar, India). He embraced Buddhism from the prevalent Hindutradition after witnessing the mass deaths of the war of Kalinga, which he himself had waged out of a desire for conquest. He was later dedicated to the propagation of Buddhism across Asia and established monuments marking several significant sites in the life of Gautama Buddha. Ashoka was a devotee of ahimsa (nonviolence), love, truth, tolerance and vegetarianism. Ashoka is remembered in history as aphilanthropic administrator. In the history of India, Ashoka is referred to as Samraat Chakravartin Ashoka - the Emperor of EmperorsAshoka.
His name "aśoka" means "painless, without sorrow" in Sanskrit (the a privativum and śoka "pain, distress"). In his edicts, he is referred to asDevānāmpriya (Pali Devānaṃpiya or "The Beloved Of The Gods"), and Priyadarśin (Pali Piyadasī or "He who regards everyone with affection").
Along with the Edicts of Ashoka, his legend is related in the later 2nd century Aśokāvadāna ("Narrative of Asoka") and Divyāvadāna ("Divine narrative"), and in the Sri Lankan text Mahavamsa ("Great Chronicle").
Ashoka played a critical role in helping make Buddhism a world religion.[2] As the peace-loving ruler of one of the world's largest, richest and most powerful multi-ethnic states, he is considered an exemplary ruler, who tried to put into practice a secular state ethic of non-violence. The emblem of the modern Republic of India is an adaptation of the Lion Capital of Ashoka.
Biography
Early life
Ashoka was born to the Mauryan emperor Bindusara and his queen, Dharmā [or Dhammā]. Ashokāvadāna states that his mother was a queen named Subhadrangī, the daughter of Champa of Telangana. Queen Subhadrangī was a Brahmin of the Ajivika sect. Sage Pilindavatsa (aias Janasana) was a kalupaga Brahmin[3]of the Ajivika sect had found Subhadrangī as a suitable match for Emperor Bindusara. A palace intrigue kept her away from the king. This eventually ended, and she bore a son. It is from her exclamation "I am now without sorrow", that Ashoka got his name. The Divyāvadāna tells a similar story, but gives the name of the queen as Janapadakalyānī.[4][5]
Ashoka had several elder siblings, all of whom were his half-brothers from other wives of Bindusāra.
He had been given the royal military training knowledge. He was a fearsome hunter, and according to a legend, he killed a lion with just a wooden rod. He was very adventurous and a trained fighter, who was known for his skills with the sword. Because of his reputation as a frightening warrior and a heartless general, he was sent to curb the riots in the Avanti province of the Mauryan empire.[6]
Rise to power
The Divyavandana refers to Ashoka putting down a revolt due to activities of wicked ministers. This may have been an incident inBindusara's times. Taranatha's account states that Chanakya, one of Bindusara's great lords, destroyed the nobles and kings of 16 towns and made himself the master of all territory between the eastern and the western seas. Some historians consider this as an indication of Bindusara's conquest of the Deccan while others consider it as suppression of a revolt. Following this Ashoka was stationed at Ujjayini as governor.[5]
Bindusara's death in 273 BC led to a war over succession. According to Divyavandana, Bindusara wanted his son Sushim to succeed him but Ashoka was supported by his father's ministers. A minister named Radhagupta seems to have played an important role. One of the Ashokavandana states that Ashoka managed to become the king by getting rid of the legitimate heir to the throne, by tricking him into entering a pit filled with live coals. The Dipavansa and Mahavansa refer to Ashoka killing 99 of his brothers, sparing only one, named Tissa.[5] Although there is no clear proof about this incident. The coronation happened in 269 BC, four years after his succession to the throne.
Early life as Emperor
Ashoka is said to have been of a wicked nature and bad temper. He submitted his ministers to a test of loyalty and had 500 of them killed. He also kept a harem of around 500 women. Once when certain lot of these women insulted him, he had the whole lot of them burnt to death. He also built hell on earth, an elaborate and horrific torture chamber. This torture Chamber earned him the name of Chand Ashoka (Sanskrit), meaning Ashoka the Fierce.[5]
Ascending the throne, Ashoka expanded his empire over the next eight years, from the present-day boundaries and regions of Burma–Bangladesh and the state of Assam in India in the east to the territory of present-day Iran / Persia and Afghanistan in the west; from the Pamir Knots in the north almost to the peninsular of southern India (i.e. Tamilnadu / Andhra pradesh).[5]
Conquest of Kalinga
Main article: Kalinga War
While the early part of Ashoka's reign was apparently quite bloodthirsty, he became a follower of the Buddha's teaching after his conquest of Kalinga on the east coast of India in the present-day states of southern Orissa and north coastal Andhra Pradesh. Kalinga was a state that prided itself on its sovereignty and democracy. With its monarchical parliamentary democracy it was quite an exception in ancient Bharata where there existed the concept of Rajdharma. Rajdharma means the duty of the rulers, which was intrinsically entwined with the concept of bravery and Kshatriya dharma. The Kalinga War happened eight years after his coronation. From his 13th inscription, we come to know that the battle was a massive one and caused the deaths of more than 100,000 soldiers and many civilians who rose up in defense; over 150,000 were deported.[7] When he was walking through the grounds of Kalinga after his conquest, rejoicing in his victory, he was moved by the number of bodies strewn there and the wails of the kith and kin of the dead.
Buddhist conversion
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As the legend goes, one day after the war was over, Ashoka ventured out to roam the city and all he could see were burnt houses and scattered corpses. This sight made him sick and he cried the famous monologue:
What have I done? If this is a victory, what's a defeat then? Is this a victory or a defeat? Is this justice or injustice? Is it gallantry or a rout? Is it valor to kill innocent children and women? Do I do it to widen the empire and for prosperity or to destroy the other's kingdom and splendor? One has lost her husband, someone else a father, someone a child, someone an unborn infant.... What's this debris of the corpses? Are these marks of victory or defeat? Are these vultures, crows, eagles the messengers of death or evil?
The brutality of the conquest led him to adopt Buddhism, and he used his position to propagate the relatively new religion to new heights, as far as ancient Rome and Egypt. He made Buddhism his state religion around 260 BC, and propagated it and preached it within his domain and worldwide from about 250 BC. Emperor Ashoka undoubtedly has to be credited with the first serious attempt to develop a Buddhist policy.
Prominent in this cause were his son Venerable Mahindra and daughter Sanghamitra (whose name means "friend of the Sangha"), who established Buddhism in Ceylon (now Sri Lanka). He built thousands of Stupas and Viharas for Buddhist followers. The Stupas of Sanchi are world famous and the stupa namedSanchi Stupa was built by Emperor Ashoka. During the remaining portion of Ashoka's reign, he pursued an official policy of nonviolence (ahimsa). Even the unnecessary slaughter or mutilation of animals was immediately abolished. Everyone became protected by the king's law against sport hunting and branding. Limited hunting was permitted for consumption reasons but Ashoka also promoted the concept of vegetarianism. Ashoka also showed mercy to those imprisoned, allowing them leave for the outside a day of the year. He attempted to raise the professional ambition of the common man by building universities for study, and water transit and irrigation systems for trade and agriculture. He treated his subjects as equals regardless of their religion, politics and caste. The kingdoms surrounding his, so easily overthrown, were instead made to be well-respected allies.
He is acclaimed for constructing hospitals for animals and renovating major roads throughout India. After this transformation, Ashoka came to be known as Dhammashoka (Sanskrit), meaning Ashoka, the follower of Dharma. Ashoka defined the main principles of dharma (dhamma) as nonviolence, tolerance of all sects and opinions, obedience to parents, respect for the Brahmans and other religious teachers and priests, liberality towards friends, humane treatment of servants, and generosity towards all. These principles suggest a general ethic of behaviour to which no religious or social group could object.
Some critics say that Ashoka was afraid of more wars, but among his neighbors, including the Seleucid Empire and the Greco-Bactrian kingdom established by Diodotus I, none could match his strength. He was a contemporary of both Antiochus I Soter and his successor Antiochus II Theos of the Seleucid dynasty as well as Diodotus I and his son Diodotus II of the Greco-Bactrian kingdom. If his inscriptions and edicts are well studied one finds that he was familiar with the Hellenic world but never edicts, which talk of friendly relations, give the names of both Antiochus of the Seleucid empire and Ptolemy III of Egypt. The fame of the Mauryan empire was widespread from the time that Ashoka's grandfather Chandragupta Mauryadefeated Seleucus Nicator, the founder of the Seleucid Dynasty.
The source of much of our knowledge of Ashoka is the many inscriptions he had carved on pillars and rocks throughout the empire. All his inscriptions have the imperial touch and show compassionate loving. He addressed his people as his "children". These inscriptions promoted Buddhist morality and encouraged nonviolence and adherence to Dharma (duty or proper behavior), and they talk of his fame and conquered lands as well as the neighboring kingdoms holding up his might. One also gets some primary information about the Kalinga War and Ashoka's allies plus some useful knowledge on the civil administration. The Ashoka Pillar at Sarnath is the most popular of the relics left by Ashoka. Made of sandstone, this pillar records the visit of the emperor to Sarnath, in the 3rd century BC. It has a four-lion capital (four lions standing back to back) which was adopted as the emblem of the modern Indian republic. The lion symbolizes both Ashoka's imperial rule and the kingship of the Buddha. In translating these monuments, historians learn the bulk of what is assumed to have been true fact of the Mauryan Empire. It is difficult to determine whether or not some actual events ever happened, but the stone etchings clearly depict how Ashoka wanted to be thought of and remembered.
Ashoka's own words as known from his Edicts are: "All men are my children. I am like a father to them. As every father desires the good and the happiness of his children, I wish that all men should be happy always." Edward D'Cruz interprets the Ashokan dharma as a "religion to be used as a symbol of a new imperial unity and a cementing force to weld the diverse and heterogeneous elements of the empire".
Also, in the Edicts, Ashoka mentions that some of the people living in Hellenic countries as converts to Buddhism, although no Hellenic historical record of this event remain:
Now it is conquest by Dhamma [(which conquest means peaceful conversion, not military conquest)] that Beloved-of-the-Gods considers to be the best conquest. And it (conquest by Dhamma) has been won here, on the borders, even six hundred yojanas away, where the Greek king Antiochos rules, beyond there where the four kings named Ptolemy, Antigonos, Magas and Alexander rule, likewise in the south among the Cholas, the Pandyas, and as far as Tamraparni. Here in the king's domain among the Greeks, the Kambojas, the Nabhakas, the Nabhapamkits, the Bhojas, the Pitinikas, the Andhras and the Palidas, everywhere people are following Beloved-of-the-Gods' instructions in Dhamma. Even where Beloved-of-the-Gods' envoys have not been, these people too, having heard of the practice of Dhamma and the ordinances and instructions in Dhamma given by Beloved-of-the-Gods, are following it and will continue to do so.
Ashoka also claims that he encouraged the development of herbal medicine, for human and nonhuman animals, in their territories:
Everywhere within Beloved-of-the-Gods, King Piyadasi's [Ashoka's] domain, and among the people beyond the borders, the Cholas, the Pandyas, the Satiyaputras, the Keralaputras, as far as Tamraparni and where the Greek king Antiochos rules, and among the kings who are neighbours of Antiochos, everywhere has Beloved-of-the-Gods, King Piyadasi, made provision for two types of medical treatment: medical treatment for humans and medical treatment for animals. Wherever medical herbs suitable for humans or animals are not available, I have had them imported and grown. Wherever medical roots or fruits are not available I have had them imported and grown. Along roads I have had wells dug and trees planted for the benefit of humans and animals.
The Greeks in India even seem to have played an active role in the propagation of Buddhism, as some of the emissaries of Ashoka, such as Dharmaraksita, are described in Pali sources as leading Greek (Yona) Buddhist monks, active in spreading Buddhism (the Mahavamsa, XII[9]).
Death and legacy
Ashoka ruled for an estimated forty years. After his death, the Mauryan dynasty lasted just fifty more years. Ashoka had many wives and children, but many of their names are lost to time. Mahindra and Sanghamitra were twins born by his first wife, Devi, in the city of Ujjain. He had entrusted to them the job of making his state religion, Buddhism, more popular across the known and the unknown world. Mahindra andSanghamitra went into Sri Lanka and converted the King, the Queen and their people to Buddhism. They were naturally not handling state affairs after him.
In his old age, he seems to have come under the spell of his youngest wife Tishyaraksha. It is said that she had got his son Kunala, the regent in Takshashila, blinded by a wily stratagem. The official executioners spared Kunala and he became a wandering singer accompanied by his favourite wife Kanchanmala. In Pataliputra, Ashoka hears Kunala's song, and realizes that Kunala's misfortune may have been a punishment for some past sin of the emperor himself and condemns Tishyaraksha to death, restoring Kunala to the court. Kunala was succeeded by his son, Samprati, but his rule did not last long after Ashoka's death.
The reign of Ashoka Maurya could easily have disappeared into history as the ages passed by, and would have had he not left behind a record of his trials. The testimony of this wise king was discovered in the form of magnificently sculpted pillars and boulders with a variety of actions and teachings he wished to be published etched into the stone. What Ashoka left behind was the first written language in India since the ancient city of Harappa. The language used for inscription was the then current spoken form called Prakrit.
In the year 185 BC, about fifty years after Ashoka's death, the last Maurya ruler, Brhadrata, was assassinated by the commander-in-chief of the Mauryan armed forces, Pusyamitra Sunga, while he was taking the Guard of Honor of his forces. Pusyamitra Sunga founded the Sunga dynasty (185 BC-78 BC) and ruled just a fragmented part of the Mauryan Empire. Many of the northwestern territories of the Mauryan Empire (modern-day Afghanistan and Northern Pakistan) became the Indo-Greek Kingdom.
In 1992, Ashoka was ranked #53 on Michael H. Hart's list of the most influential figures in history. In 2001, a semi-fictionalized portrayal of Ashoka's life was produced as a motion picture under the title Asoka. King Ashoka, the third monarch of the Indian Mauryan dynasty, has come to be regarded as one of the most exemplary rulers in world history. The British historian H.G. Wells has written: "Amidst the tens of thousands of names of monarchs that crowd the columns of history, their majesties and graciousnesses and serenities and royal highnesses and the like, the name of Asoka shines, and shines, almost alone, a star."
Buddhist Kingship
One of the more enduring legacies of Ashoka Maurya was the model that he provided for the relationship between Buddhism and the state. Throughout Theravada Southeastern Asia, the model of ruler ship embodied by Ashoka replaced the notion of divine kingship that had previously dominated (in the Angkor kingdom, for instance). Under this model of 'Buddhist kingship', the king sought to legitimize his rule not through descent from a divine source, but by supporting and earning the approval of the Buddhist sangha. Following Ashoka's example, kings established monasteries, funded the construction of stupas, and supported the ordination of monks in their kingdom. Many rulers also took an active role in resolving disputes over the status and regulation of the sangha, as Ashoka had in calling a conclave to settle a number of contentious issues during his reign. This development ultimately lead to a close association in many Southeast Asian countries between the monarchy and the religious hierarchy, an association that can still be seen today in the state-supported Buddhism of Thailand and the traditional role of the Thai king as both a religious and secular leader. Ashoka also said that all his courtiers were true to their self and governed the people in a moral manner.
Historical sources
Western sources
Ashoka was almost forgotten by the historians of the early British India, but James Prinsep contributed in the revelation of historical sources. Another important historian was Britisharchaeologist John Hubert Marshall who was director-General of the Archaeological Survey of India. His main interests were Sanchi and Sarnath besides Harappa and Mohenjodaro. SirAlexander Cunningham, a British archaeologist and army engineer and often known as the father of the Archaeological Survey of India, unveiled heritage sites like the Bharhut Stupa, Sarnath, Sanchi, and the Mahabodhi Temple; thus, his contribution is recognizable in realms of historical sources. Mortimer Wheeler, a British archaeologist, also exposed Ashokan historical sources, especially the Taxila.
Eastern sources
Information about the life and reign of Ashoka primarily comes from a relatively small number of Buddhist sources. In particular, the SanskritAshokavadana ('Story of Ashoka'), written in the 2nd century, and the two Pāli chronicles of Sri Lanka (the Dipavamsa and Mahavamsa) provide most of the currently known information about Ashoka. Additional information is contributed by the Edicts of Asoka, whose authorship was finally attributed to the Ashoka of Buddhist legend after the discovery of dynastic lists that gave the name used in the edicts (Priyadarsi – 'favored by the Gods') as a title or additional name of Ashoka Mauriya. Architectural remains of his period have been found at Kumhrar, Patna, which include an 80-pillar hypostyle hall.
Edicts of Ashoka -The Edicts of Ashoka are a collection of 33 inscriptions on the Pillars of Ashoka, as well as boulders and cave walls, made by the Emperor Ashoka of the Mauryan dynasty during his reign from 272 to 231 BC. These inscriptions are dispersed throughout the areas of modern-day Pakistan and India, and represent the first tangible evidence of Buddhism. The edicts describe in detail the first wide expansion of Buddhism through the sponsorship of one of the most powerful kings of Indian history.It give more information about Ashoka's proselytism, Moral precepts, Religious precepts, Social and animal welfare .
Ashokavadana - The Ashokavadana is a 2nd century CE text related to the legend of the Maurya Emperor Ashoka. The legend was translated into Chinese by Fa Hien in 300 CE.
Mahavamsa -The Mahavamsa ("Great Chronicle") is a historical poem written in the Pali language, of the kings of Sri Lanka. It covers the period from the coming of King Vijaya of Kalinga (ancient Orissa) in 543 BC to the reign of King Mahasena (334–361).As it often refers to the royal dynasties of India, the Mahavamsa is also valuable for historians who wish to date and relate contemporary royal dynasties in the Indian subcontinent. It is very important in dating the consecration of the Maurya emperor Ashoka.
Dipavamsa -The Dipavamsa, or "Deepavamsa", (i.e., Chronicle of the Island, in Pali) is the oldest historical record of Sri Lanka. The chronicle is believe to be compiled from Atthakathaand other sources around the 3–4th century, King Dhatusena (4th century CE) had ordered that the Dipavamsa be recited at the Mahinda (son to Ashoka) festival held annually in Anuradhapura.
The use of Buddhist sources in reconstructing the life of Ashoka has had a strong influence on perceptions of Ashoka, as well as the interpretations of his edicts. Building on traditional accounts, early scholars regarded Ashoka as a primarily Buddhist monarch who underwent a conversion to Buddhism and was actively engaged in sponsoring and supporting the Buddhist monastic institution. Some scholars have tended to question this assessment. The only source of information not attributable to Buddhist sources are the Ashokan edicts, and these do not explicitly state that Ashoka was a Buddhist. In his edicts, Ashoka expresses support for all the major religions of his time: Buddhism, Brahmanism, Jainism, and Ajivikaism, and his edicts addressed to the population at large (there are some addressed specifically to Buddhists; this is not the case for the other religions) generally focus on moral themes members of all the religions would accept.
However, there is strong evidence in the edicts alone that he was a Buddhist. In one edict he belittles rituals, and he banned Vedic animal sacrifices; these strongly suggest that he at least did not look to the Vedic tradition for guidance. Furthermore, there are many edicts expressed to Buddhists alone; in one, Ashoka declares himself to be an "upasaka", and in another he demonstrates a close familiarity with Buddhist texts. He erected rock pillars at Buddhist holy sites, but did not do so for the sites of other religions. He also used the word"dhamma" to refer to qualities of the heart that underlie moral action; this was an exclusively Buddhist use of the word. Finally, the ideals he promotes correspond to the first three steps of the Buddha's graduated discourse.[10]
Contributions
Global spread of Buddhism
Ashoka, now a Buddhist emperor, believed that Buddhism is beneficial for all human beings as well as animals and plants, so he built 84,000 stupas, Sangharama, viharas, Chaitya, and residences for Buddhist monks all over South Asia and Central Asia. He gave donations to viharas and mathas. He sent his only daughter Sanghamitta and son Mahindra to spread Buddhism in Sri Lanka (ancient name Tamraparni). Ashoka also sent many prominent Buddhist monks (bhikshus) Sthaviras like Madhyamik Sthavira to modern Kashmir andAfghanistan; Maharaskshit Sthavira to Syria, Persia / Iran, Egypt, Greece, Italy and Turkey; Massim Sthavira to Nepal, Bhutan, China and Mongolia; Sohn Uttar Sthavira to modernCambodia, Laos, Myanmar (old name Suvarnabhumi for Burma and Thailand), Thailand and Vietnam; Mahadhhamarakhhita stahvira to Maharashtra (old name Maharatthha); Maharakhhit Sthavira and Yavandhammarakhhita Sthavira to South India. Ashoka also invited Buddhists and non-Buddhists for religious conferences. Ashoka inspired the Buddhist monks to compose the sacred religious texts, and also gave all types of help to that end. Ashoka also helped to develop viharas (intellectual hubs) such as Nalanda and Taxila. Ashoka helped to constructSanchi and Mahabodhi Temple. Ashoka never tried to harm or to destroy non-Buddhist religions, and indeed gave donations to non-Buddhists. As his reign continued his even-handedness was replaced with special inclination towards Buddhism.[11] Ashoka helped and respected both Sramans (Buddhists monks) and Brahmins (Vedic monks). Ashoka also helped to organize the Third Buddhist council (c. 250 BC) at Pataliputra (today's Patna). It was conducted by the monk Moggaliputta-Tissa who was the spiritual teacher of the Mauryan Emperor Ashoka.
As administrator
Ashoka's military power was so strong that he was able to crush those empires that went to war against him. Still, he was on friendly terms with kingdoms in the South like Cholas, Pandya, Keralputra, the post Alexandrian empire, Tamraparni, and Suvarnabhumi who were strong enough to remain outside his empire and continued to profess Hinduism. According to his edicts we know that he provided humanitarian help including doctors, hospitals, inns, wells, medical herbs and engineers to his neighboring countries. In neighboring countries, Ashoka helped humans as well as animals. Ashoka also planted trees in his empire and his neighboring countries. Ashoka was perhaps the first emperor in human history to ban slavery, hunting, fishing and deforestation. Ashoka also banned the death sentence and asked the same for the neighboring countries.[12] Ashoka commanded his people to serve the orders of their elders parents and religious monks (shramana and Brahmin). Ashoka also recommended his people study and respect all religions. According to Ashoka, to harm another's religion is a harm to one's own religion. Ashoka asserted his people to live with Dharmmacharana. Ashoka asked people to live with harmony, peace, love and tolerance. Ashoka called his people as his children, and they could call him when they need him. He also asked people to save money and not to spend for immoral causes. Ashoka also believed in dharmacharana (dhammacharana) and dharmavijaya (dhammavijaya). According to many European and Asian historians the age of Ashoka was the age of light and delightment. He was the first emperor in human history who has taught the lesson of unity, peace, equality and love. Ashoka's aim was not to expand the territories but the welfare of all of his subjects (sarvajansukhay). In his vast empire there was no evidence of recognizable mutiny or civil war. Ashoka was the true devotee of nonviolence, peace and love. This made him different from other emperors. Ashoka also helped Buddhism as well as religions like Jainism, Hinduism, Hellenic polytheism andAjivikas. Ashoka was against any discrimination among humans. He helped students, the poor, orphans and the elderly with social, political and economic help. According to Ashoka, hatred gives birth to hatred and a feeling of love gives birth to love and mercy. According to him the happiness of people is the happiness of the ruler. His opinion was that the sword is not as powerful as love. Ashoka was also kind to prisoners, and respected animal life and tree life. Ashoka allowed females to be educated. He also permitted females to enter religious institutions. He allowed female Buddhist monastics such as Bhikkhuni. He combined in himself the complexity of a king and a simplicity of a buddhist monk. Because of these reasons he is known as the emperor of all ages and thus became a milestone in the History of the world.
Ashoka Chakra
Main article: Ashoka Chakra
The Ashoka Chakra (the wheel of Ashoka) is a depiction of the Dharmachakra or Dhammachakka in Pali, the Wheel of Dharma (Sanskrit: Chakra means wheel). The wheel has 24 spokes. The Ashoka Chakra has been widely inscribed on many relics of the Mauryan Emperor, most prominent among which is the Lion Capital of Sarnath and The Ashoka Pillar. The most visible use of the Ashoka Chakra today is at the centre of the National flag of the Republic of India (adopted on 22 July 1947), where it is rendered in a Navy-blue color on a White background, by replacing the symbol of Charkha (Spinning wheel) of the pre-independence versions of the flag. Ashoka Chakra can also been seen on the base of Lion Capital of Ashoka which has been adopted as the National Emblem of India.
The Ashoka chakra was built by Ashoka during his reign. Chakra is a Sanskrit word which also means cycle or self repeating process. The process it signifies is the cycle of time as how the world changes with time.
A few days before India became independent on August 1947, the specially constituted Constituent Assembly decided that the flag of Indiamust be acceptable to all parties and communities.[13] A flag with three colours, Saffron, White and Green with the Ashoka Chakra was selected.
Pillars of Ashoka (Ashokstambha)
Main article: Pillars of Ashoka
The pillars of Ashoka are a series of columns dispersed throughout the northern Indian subcontinent, and erected by Ashoka during his reign in the 3rd century BC. Originally, there must have been many pillars of Ashoka although only ten with inscriptions still survive. Averaging between forty and fifty feet in height, and weighing up to fifty tons each, all the pillars were quarried at Chunar, just south of Varanasi and dragged, sometimes hundreds of miles, to where they were erected. The first Pillar of Ashoka was found in the 16th century by Thomas Coryat in the ruins of ancient Delhi. The wheel represents the sun time and Buddhist law, while the swastika stands for the cosmic dance around a fixed center and guards against evil. There is no evidence of a swastika, or manji, on the pillars.
Lion Capital of Asoka (Ashokmudra)
Main article: Lion Capital of Asoka
The Lion capital of Ashoka is a sculpture of four "Indian lions" standing back to back. It was originally placed atop the Aśoka pillar at Sarnath, now in the state of Uttar Pradesh, India. The pillar, sometimes called the Aśoka Column is still in its original location, but the Lion Capital is now in theSarnath Museum. This Lion Capital of Ashoka from Sarnath has been adopted as the National Emblem of India and the wheel "Ashoka Chakra" from its base was placed onto the center of the National Flag of India.
The capital contains four lions (Indian / Asiatic Lions), standing back to back, mounted on an abacus, with a frieze carrying sculptures in high relief of an elephant, a galloping horse, a bull, and a lion, separated by intervening spoked chariot-wheels over a bell-shaped lotus. Carved out of a single block of polished sandstone, the capital was believed to be crowned by a 'Wheel of Dharma' (Dharmachakra popularly known in India as the "Ashoka Chakra").
The Ashoka Lion capital or the Sarnath lion capital is also known as the national symbol of India. The Sarnath pillar bears one of the Edicts of Ashoka, an inscription against division within the Buddhist community, which reads, "No one shall cause division in the order of monks". The Sarnath pillar is a column surmounted by a capital, which consists of a canopy representing an inverted bell-shaped lotus flower, a short cylindrical abacus with four 24-spoked Dharma wheels with four animals (an elephant, a bull, a horse, a lion).
The four animals in the Sarnath capital are believed to symbolize different steps of Lord Buddha's life.
- The Elephant represents the Buddha's idea in reference to the dream of Queen Maya of a white elephant entering her womb.
- The Bull represents desire during the life of the Buddha as a prince.
- The Horse represents Buddha's departure from palatial life.
- The Lion represents the accomplishment of Buddha.
Besides the religious interpretations, there are some non-religious interpretations also about the symbolism of the Ashoka capital pillar at Sarnath. According to them, the four lions symbolize Ashoka's rule over the four directions, the wheels as symbols of his enlightened rule (Chakravartin) and the four animals as symbols of four adjoining territories of India.
Constructions credited to Ashoka
- Sanchi, Madhya Pradesh, India
- Dhamek Stupa, Sarnath, Uttar Pradesh, India
- Mahabodhi Temple, Bihar, India
- Barabar Caves, Bihar, India
- Nalanda University (Vishwaviddyalaya), (some portions like Sariputta Stupa), Bihar, India
- Taxila University (Vishwaviddyalaya), (some portions like Dharmarajika Stupa and Kunala Stupa), Taxila, Pakistan
- Bhir Mound, (reconstructed), Taxila, Pakistan
- Bharhut stupa, Madhya Pradesh, India
- Deorkothar Stupa, Madhya Pradesh, India
- Butkara Stupa, Swat, Pakistan
Ashoka today
In art, film and literature
- One of the most famous figures in modern Hindi literature, Jaishankar Prasad, composed Ashoka ki chinta (in English: Anxiety of Ashoka), a famous Hindi verse. The poem portrays Ashoka’s heart during the war of Kalinga.
- Uttar-Priyadarshi (The Final Beatitude) a verse-play written by poet Agyeya, depicting his redemption, was adapted to stage in 1996 by theatre director, Ratan Thiyam and has since been performed in many parts of the world.[14][15]
- In Piers Anthony’s series of space opera novels, the main character mentions Asoka as a model for administrators to strive for.
- Asoka is a 2001 epic Bollywood historical drama. It is a largely fictional version of the life of the Indian emperor Ashoka. The film was directed by Santosh Sivan and stars Shahrukh Khan as Ashoka and Kareena Kapoor as Kaurwaki, a princess of Kalinga.The film ends with Asoka renouncing the sword and embracing Buddhism. The final narrative describes how Asoka not only built a large empire, but spread Buddhism and the winds of peace through it.
- The Legend of Kunal is an upcoming film based on the life of Kunal, the son of the Indian emperor Ashoka. The movie will be directed by Chandraprakash Dwivedi.
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